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& Juliet

Get To Know The Show – A Teacher's Guide

Suitable For Students

Grade 1 and up.
Interested in: The Arts, English, Social Sciences and Humanities, Language Arts, Social Studies. and Geography.

Show Style / Genre

Broadway Musical
Adapted from literature
Jukebox Musical

Venue, Dates & Times

Royal Alexandra Theatre
Begins December 3, 2025
Tuesday - Saturday: 7:30PM
Wednesday: 1:30PM
Saturday & Sunday: 2:00PM

Running Time

2 hours 30 minutes (includes intermission)

CONTENT ADVISORY FOR STUDENTS

Flashing/strobe lighting, loud noises, confetti cannons, and pyrotechnics throughout. Recommended for ages 6+ with adult language.

Lorna Courtney and the cast of & Juliet

About the Show

Created by Canadian David West Read, the Emmy® Award–winning writer from “Schitt’s Creek”, this hilarious new musical flips the script on the greatest love story ever told. & JULIET  asks: What would happen next if Juliet didn’t end it all over Romeo? Get whisked away on a fabulous journey as she ditches her famous ending for a fresh beginning and a second chance at life and love—her way. 

Juliet’s new story bursts to life through a playlist of pop anthems as iconic as her name, including “Since U Been Gone‚” “Roar,” “Baby One More Time,” “Larger Than Life‚” “That’s The Way It Is,” and “Can't Stop the Feeling!” — all from Max Martin, the genius songwriter/producer behind more #1 hits than any other artist this century. Break free of the balcony scene and get into this romantic comedy that proves there’s life after Romeo. The only thing tragic would be missing it.

For more information about & JULIET, please visit andjulietthemusical.com.

READ FULL SYNOPSIS

& JULIET is a musical comedy that imagines an alternate ending to Romeo and Juliet in which William Shakespeare, under the influence of his wife, Anne Hathaway, decides to save Juliet from a tragic demise and offer her a second chance at life and love – her way.

A jukebox appears onstage, and the show opens with WILLIAM SHAKESPEARE and his PLAYERS, who form the show’s ensemble, welcoming the audience to the first performance of Romeo and Juliet (Larger Than Life). Shakespeare’s wife, ANNE HATHAWAY, is attending the show on a rare outing from their home in Stratford-UponAvon. Shakespeare announces that he’s written the ending to Romeo and Juliet… except, he’s the only one who likes it. Anne suggests that, maybe, Juliet doesn’t end her own life to be with Romeo and convinces Shakespeare to let her rewrite the ending (I Want It That Way).

In Anne’s version, the play begins when Juliet wakes up and finds Romeo dead. She considers the dagger but chooses to live (…Baby One More Time). At Romeo’s funeral, Juliet discovers Romeo’s other romances, including ROSALINE, PORTIA, and HELENA. CAPULET and LADY CAPULET, Juliet’s parents, announce that they are sending her to a nunnery (Show Me the Meaning of Being Lonely).

Back at home, Juliet’s nurse, ANGÉLIQUE, tries to cheer her up as Juliet questions her fate. Juliet’s nonbinary best friend, MAY, joins her. When Shakespeare questions May’s name and identity, Anne puts him in his place by reminding Shakespeare that he basically invented genderbending and May’s gender is really none of his business. Anne then casts herself as another one of Juliet’s friends: APRIL. Though Angélique is reluctant, Juliet and her friends decide to leave Verona for an adventure (Domino). They decide on Paris, and Anne writes their travel into the script (Show Me Love). When they arrive, they decide to attend a Renaissance Ball, thrown for FRANCOIS DUBOIS by his father, LANCE. Francois is being forced by his father to either wed or join the army like the rest of his family.

Anne gets their group into the party, past a FRENCH BOUNCER, and they take over the dance floor (Blow). Francois and May meet before Juliet grabs onto the chandelier, and the party erupts.

In line for the bathrooms, May has an unpleasant experience with the ATTENDANT commenting on their gender identity and then admits to Juliet that they made a connection with a guy on the dance floor, but they don’t want to get their hopes up (I’m Not A Girl, Not Yet A Woman). Juliet assures them that she doesn’t think of them as a girl or a boy – just her best friend.

On the way back from the bathroom, Juliet finds Francois alone. They bond over having controlling parents (Overprotected), and Juliet vows to help him stand up to his father. As Lance loses control of his party, he recognizes Angélique. Carried away, Juliet kisses Francois just as May returns (Confident).

The next morning, Angélique wakes up in Lance’s room, and the audience learns of their 1romantic history. Lance wants to begin again with Angélique, but she worries about Juliet (Teenage Dream). Lance encourages her to consider her own happiness (Break Free).

Meanwhile, Francois, nicknamed “Frankie” by Juliet, decides to propose. Juliet isn’t ready to jump into anything serious but accepts the proposal to avoid being sent back to Verona by her parents (Oops!... I Did it Again).

Lance arranges the wedding for the next day, and Anne argues with Shakespeare that the new story is the same as the old one. Once again, Juliet is rushed into marriage with someone she barely knows.

Francois and May’s connection is undeniable (I Kissed a Girl). Anne returns just in time for Shakespeare to inform her that Romeo is alive, and arrives in Paris to a shocked Juliet (It’s My Life).

Romeo confesses his love to Juliet (Love Me Like You Do), but she’s unimpressed. They argue, and BENVOLIO informs Romeo that Juliet has moved on with someone else (Since U Been Gone). Shakespeare thinks that Juliet is being too hard on Romeo, but Anne disagrees. She’s angry with Shakespeare for changing the story to bring Romeo back, but he points out that he created conflict, which all good stories need. Anne snaps his quill in half and leaves.

At DuBois castle, May confronts Francois about their feelings for each other (Whataya Want From Me), but Francois won’t break his promise to Juliet. Romeo and Juliet have a heart-to-heart (One More Try). Romeo tells Juliet that, if she can tell him she doesn’t love him, he’ll leave. Juliet tells him she can’t love him, and he goes, but they are both struggling to understand their feelings (Problem/Can’t Feel My Face). Romeo is ready to walk away, but Shakespeare intervenes. Disguised as the carriage driver, he promises to get Romeo into Francois and Juliet’s wedding. Shakespeare and Romeo masquerade as Francois’s brothers, and they set off to find one more “brother” so the family band can sing at the wedding. Angélique proposes to Lance.

Juliet admits to Anne that she’s still in love with Romeo, but she doesn’t want to let Francois down. Anne encourages her not to settle and shares the struggles in her own marriage to Shakespeare (That’s the Way It Is).

Lady Capulet whisks Juliet away to the wedding, where Francois, Shakespeare, Lance, and Romeo are preparing to perform as their family band. At the last minute, Shakespeare recruits May as the fifth member of the band. Though Francois expresses his doubts to Lance, the show goes on (Everybody aka Backstreet’s Back). Lady Capulet enters with Juliet and Francois sings his vows, serenading her (As Long As You Love Me). Juliet is not impressed. Lance asks if there are any objections to the two being wed, and both Juliet and Francois voice objections. Francois confesses his love, not for Juliet, but for May (It’s Gonna Be Me).

The Capulets threaten to take Juliet back to Verona, but Romeo reveals himself. Shakespeare declares that Juliet must return to Romeo, but Juliet disagrees, calling out her parents for trying to control her, May and Francois for lying to her, and Romeo for assuming she would just get back together with him (Stronger). Upset, she leaves. Lance apologizes to Francois and May (Shape of My Heart).

Angélique comforts Juliet, saying that she’ll always be by her side, and Juliet encourages her nurse to live her own life (F****N’ Perfect). May and Francois apologize to Juliet, who resolves to be confident in herself and her decisions going forward. Juliet, triumphant, rises on the balcony as she and the Players belt out the final number (Roar). Shakespeare and Anne finish the story by reflecting on the play and their love (I Want It That Way – Reprise).

Credits: & JULIET Teacher Workbook, Synopsis.

PREP YOUR COURSE TO THE THEATRE – & JULIET 101

& JULIET premiered at the Manchester Opera House in September 2019, before transferring to the West End in November 2019. At the 2020 Laurence Olivier Awards, & Juliet received 9 nominations and won 3 awards. Following a pre-Broadway summer run in 2022 in Toronto, & Juliet opened at New York’s Stephen Sondheim Theatre in November 2022, where it continues to play to sold-out crowds and break box office records.

By Spring 2025, & JULIET will have played in nine countries and on four continents since its West End Premiere in 2019. The first North American tour of the musical kicked off its route last fall and will continue its run of more than 30 US cities this year, joined by the UK Tour (which began in July 2024), and a German production (October 2024).

The Original Broadway Cast Recording of & JULIET was released in October 2022 on Atlantic Records and is available wherever streaming music is played.

& JULIET is produced on Broadway by Max Martin, Tim Headington, Theresa Steele Page, Jenny Petersson, Martin Dodd and Eva Price.

The Royal Alexandra Theatre is a national historic landmark – the oldest continuously operating legitimate theatre in North America and the continent’s first truly “royal” theatre, granted official letters patent by Edward VII entitling it to the royal designation, along with his permission to name it after his consort, Alexandra. Built in 1907 by Cawthra Mulock (Toronto’s “boy millionaire”), and designed by John M Lyle, it is a masterpiece of beaux-arts architecture that also holds distinction as the city’s first steel-framed structure (allowing cantilevered balconies), one of the first “air-conditioned” buildings in North America, and the first theatre to be deemed legitimately “fireproof”. Its proscenium-stage has seen almost 3400 productions since its opening and has been graced by such legendary performers as John Gielgud, Mary Pickford, the Marx Brothers, Edith Piaf, Paul Robeson… to name just a few.

Edwin “Honest Ed” Mirvish purchased the Royal Alexandra from the Mulock estate in 1963 and closed the theatre for extensive modernisation, repair and renovation, restoring the old house to the splendour of its early days. Ed Mirvish personally oversaw the operation of the theatre for the next 23 years, until 1986 when he handed management and administration over to his son, David, and David’s company, Mirvish Productions. In 2016, the theatre underwent another restoration, a $2.5 million project that revived the building’s splendour while also welcoming it into the 21st century.

The Royal Alexandra Theatre is located at 260 King Street West, in the heart of Toronto’s Entertainment Dirstrict. It is situated just east of the Princess of Wales Theatre, across from Roy Thompson Hall, and two blocks north of the Rogers Centre, the CN Tower, Ripley’s Aquarium and the Metro Toronto Convention Centre.

Play Video

Restoring a masterpiece

Royal Alexandra Theatre

More information about directions, parking, accessibility, building facilities and amenities, and seating maps is available on the VISIT section of our website.

The Role of the Audience

What is the role of Audience? How does your participation contribute to the experience of the show, for the actors and your fellow audience members? 

Please take time to review Mirvish Guide To Attending The Theatre with your student group prior to your theatre visit. It includes some helpful tips and basic “Dos & Don’ts” to assist you in preparing everyone for what to expect, and what is expected of them.

Additional resources are available to help you build a bridge between your experience of the show and your own classroom. Visit the Resources page to explore what is available for & JULIET.

Looking to build more into your field trip? A variety of enrichment experiences are available to choose from, including Q&As, guided historic theatre tours, workshops and performance group opportunities. Contact our Education Manager at educationandengagement@mirvish.com to learn more. Subject to availability; additional costs and restrictions apply.

 

Looking to build more into your field trip? A variety of enrichment experiences are available to choose from, including Q&As, guided historic theatre tours, workshops and performance group opportunities. Contact our Education Manager at educationandengagement@mirvish.com to learn more. Subject to availability; additional costs and restrictions apply.

Our team of Audience Service Representatives is ready to book your student group order!

By Phone:
1.800.461.3333

In Person:
322 King Street West, Suite 325
Toronto, Ontario Canada M5V 1J2

Visit our website for more information related to Schools & Education.