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Moulin Rouge! The Musical
Get To Know The Show – A Teacher's Guide
Suitable For Students
Grade 8 and up.
Interested in: The Arts, English, Social Sciences and Humanities, Language Arts, Social Studies.
Show Style / Genre
Broadway Musical
Mash-up Musical
Adapted from film
Venue, Dates & Times
CAA Ed Mirvish Theatre
Running time: 2 hours 35 minutes (includes intermission)
Tuesday - Saturday: 7:30PM
Wednesday, Saturday & Sunday: 1:30PM
Added Performances:
Tue Dec 24: 1:30PM
Thu Dec 26: 1:30PM & 7:30PM
Fri Dec 27: 7:30PM
Sat Dec 28: 2PM & 7:30PM
Sun Dec 29: 2PM & 7:30PM
Tue Dec 31: 1:30PM
Thu Jan 2: 1:30PM & 7:30PM
Fri Jan 3: 7:30PM
Sat Jan 4: 2PM & 7:30PM
Sun Jan 5: 2PM & 7:30PM
Content Advisory For Students
Mature themes, flashing lights, strobe lights, fog, and the appearance of firearms on stage.
Recommended for ages 12+.
About the Show
Pop the champagne, Moulin Rouge! The Musical is the winner of 10 Tony Awards® — including Best Musical!
Enter a world of splendor and romance, of eye-popping excess, of glitz, grandeur, and glory! A world where bohemians and aristocrats rub elbows and revel in electrifying enchantment. Welcome to Moulin Rouge! The Musical! Baz Luhrmann’s revolutionary film comes to life onstage, remixed in a new musical mash-up extravaganza. Directed by Tony Award® winner Alex Timbers, Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. With a book by Tony Award® winner John Logan; music supervision, orchestrations, and arrangements by Tony Award® winner Justin Levine; and choreography by Tony Award® winner Sonya Tayeh, Moulin Rouge! is more than a musical — it is a state of mind.
Set in Paris 1899, a world of indulgent beauty and unparalleled extravagance, of bohemians and aristocrats, of boulevardiers and reprobates, Moulin Rouge! The Musical is the story of a lovesick American writer, Christian, and Satine, the dazzling star of the Moulin Rouge nightclub. When their lives collide at the Moulin Rouge, they fall hopelessly in love, only to be thwarted by the nightclub’s host and impresario, Harold Zidler, and the Duke of Monroth, the wealthy and entitled patron of the club who thinks he can buy anything he wants...including Satine.
For more information about Moulin Rouge! The Musical, please visit MoulinRougeMusical.com.
Act One
The Moulin Rouge cabaret club, "where all your dreams come true", is in full swing under the direction of Harold Zidler, flanked by four dancers: Nini, Baby Doll, Arabia, and La Chocolat. Christian arrives at the Moulin Rouge with fellow bohemians Henri de Toulouse-Lautrec and Santiago the Argentinean. At the same time, the money-motivated Duke of Monroth is introduced as well ("Welcome to the Moulin Rouge"). Right before Zidler introduces the Moulin Rouge's Sparkling Diamond, Christian interrupts to start a story "about love", about a woman named Satine.
In 1899, Christian arrives at the Montmartre district of Paris from Lima, Ohio, where he meets bohemians Toulouse-Lautrec and Santiago, who are attempting to create a play with songs in it. The two are impressed by Christian's musical and songwriting talents and ask for help to get their work produced at the Moulin Rouge. The trio celebrates the Bohemian ideals of truth, beauty, freedom, and love ("Truth, Beauty, Freedom, Love").
Back at the Moulin Rouge, Zidler introduces Satine ("The Sparkling Diamond"). After Satine performs for the club, Zidler prepares for her to meet and impress the Duke of Monroth, who might invest in the Moulin Rouge and save it from financial ruin. However, Satine mistakes Christian for the Duke. Toulouse and Santiago distract Zidler from seeing Satine and Christian interact. While dancing and still thinking she is speaking with the Duke, Satine invites Christian to come to her dressing room in "the Elephant" outside the club ("Shut Up and Raise Your Glass").
Arabia, Baby Doll, and La Chocolat share their worries with Satine backstage about the Moulin's financial future. Nini expresses cynicism about its future, while Satine tries to maintain morale. Afterward, Zidler expresses the dire straits that the club is in and stresses the importance of Satine impressing the Duke. Satine, who is concealing her worsening consumption from her colleagues, resolves to stay strong for them ("Firework").
Christian arrives in the Elephant hoping to impress Satine with his musical talent, whereas Satine is prepared to seduce him, under the impression that he is the Duke. Christian's true identity is revealed ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for a new show, Bohemian Rhapsody. With Zidler's help, Christian, Satine, Toulouse, and Santiago pitch the show to the Duke with an improvised plot about an evil gangster attempting to woo an ingenue who loves a poor sailor ("So Exciting! (The Pitch Song)"). The Duke decides to back the show, and Zidler reminds Satine that her duty is to keep the Duke happy for the sake of the Moulin Rouge. She dismisses Christian from the Elephant. The Duke returns, and he and Satine spend the evening together ("Sympathy for the Duke").
In Montmartre, Toulouse shares with Christian that he fell in love with Satine many years ago, when she was living on the streets. He was impressed by her spirit but was too self-conscious to ever share his love for her over the years. He urges Christian to return to Satine and confess his love for her, insisting to him, "The greatest thing you'll ever learn is just to love and be loved in return" ("Nature Boy"). Christian goes back to Satine to convince her that they should be together. Though she initially finds this ridiculous, she eventually returns his affections ("Elephant Love Medley").
Act Two
Two months later, rehearsals are underway for Bohemian Rhapsody. Christian and Satine continue seeing each other behind the scenes, and Santiago falls in love with Nini ("Backstage Romance"). As the company rehearses, tensions rise between Toulouse and the controlling Duke. Backstage, Nini tells Satine that she needs to be careful about her relationship with Christian and keep the Duke happy, as he once threw a vial of acid in the face of another woman who betrayed him. Satine tells Christian that their relationship endangers the show and the Moulin Rouge, but he counters by writing a secret love song to affirm their love ("Come What May").
In the Champs-Élysées neighborhood, the Duke tells Satine that he wants every part of her, including her heart. Despite Satine's protests that she does not "fit in" with the upper-class society of Paris that he inhabits, he remodels her image accordingly against her wishes ("Only Girl in a Material World"). Back in rehearsals, the Duke continues to involve himself in the show's creative aspects, to Toulouse's frustration. It becomes clear that Bohemian Rhapsody is a metaphor for Christian, Satine, and the Duke, resulting in an outburst by Christian. The Duke, enraged, threatens to reconsider his investment entirely. Zidler reminds Satine that she alone can fix the dilemma with the Duke. Satine's illness worsens, but she urges her colleagues not to share that she is ill; she wants to fight to keep the Moulin Rouge alive and for the play to go on.
Toulouse and Santiago tell Christian he needs to forget about Satine and move on. Christian retreats in frustration and drinks absinthe with them in excess, at one point, imagining Satine as The Green Fairy ("Chandelier"). Christian expresses jealousy and disgust that Satine is with the Duke instead of him, ignoring Zidler's warning that falling in love with a prostitute "always ends badly" ("El Tango de Roxanne"). At his castle, the Duke threatens Satine from being with Christian ever again, saying that he will have Christian killed if she chooses him. Christian interrupts their conversation to try to save Satine, singing their secret song. Knowing that Christian would be killed if she says otherwise, Satine tells Christian that she does not love him. Christian leaves.
Christian decides that without Satine's love, he will load a prop gun with real bullets and commit suicide on stage during the play's opening night. Meanwhile, Satine's illness dramatically worsens. Together, she and Toulouse stand up to the Duke, who leaves the Moulin Rouge before the performance begins ("Crazy Rolling"). As Satine performs, Christian enters and asks her to face him as he turns the gun his way. Before he pulls the trigger, Satine sings their secret song, all at once saving his life and revealing to him that she loved him the entire time. After a final song together in which the two affirm their love one last time, Satine tells Christian to "tell our story," and subsequently dies in his arms ("Your Song (Reprise)"). Over a year later, Bohemian Rhapsody is a success, and Zidler regains control of the Moulin Rouge. Christian affirms that his and Satine's story will forever be told ("Come What May (Reprise)").
Credits: Moulin Rouge! (musical) Wikipedia
Baz Luhrmann’s iconic film comes to life onstage, remixed in a new musical mash-up extravaganza. Moulin Rouge! The Musical is a theatrical celebration of Truth, Beauty, Freedom, and — above all — Love. Moulin Rouge! The Musical is more than a musical; it is a state of mind.
Moulin Rouge! The Musical opened to critical acclaim at the Al Hirschfeld Theatre in the Summer of 2019 and reopened in September 2021 following the shutdown of Broadway due to the pandemic.
Moulin Rouge! The Musical is the winner of ten 2021 Tony Awards® including Best Musical, two Drama League Awards including Outstanding Production of a Musical, five Drama Desk Awards and ten Outer Critics Circle Award Honor citations including New Broadway Musical.
The North American Tour of Moulin Rouge! The Musical will perform a limited engagement at the CAA Ed Mirvish Theatre, November 19, 2024 to January 12, 2025.
This majestic theatre has had many names since it first opened in 1920. It began life as the Pantages Theatre, named after the famous vaudeville circuit impresario Alexander Pantages. On December 6, 2011, it was renamed the Ed Mirvish Theatre in recognition of another great theatre impresario: Edwin “Honest Ed” Mirvish. Prominent members of the theatre world, as well as members from all levels of government, gathered together in recognition of his important contribution to the arts at a renaming ceremony. Notable guests included theatre stars Shirley Douglas, Louise Pitre, Michael Burgess and Camilla Scott, and Toronto Mayor Rob Ford, who proclaimed December 6 to be “Ed Mirvish Theatre Day”.
On September 22, 2021, Mirvish Productions and CAA announced a new 10-year partnership agreement that includes naming rights to the CAA Ed Mirvish Theatre formerly known as the Ed Mirvish Theatre in Toronto.
With a two-tiered auditorium that was completely renovated in 2021 and 2022 and with two seating configurations (1,600 and 2,000 seats), it is a perfect venue for everything from intimate plays to large-scale musicals. Find out more about the Theatre.
The CAA Ed Mirvish Theatre is located at 263 Yonge Street (just below Dundas Street); the main entrance and box office are located at the rear of the building, at 244 Victoria Street. Patrons with tickets may use either entrance, however those who have difficulty with stairs should come to Victoria Street where there is wheelchair lift access to the main lobby, box office and Orchestra seating level.
The Role of the Audience
What is the role of Audience? How does your participation contribute to the experience of the show, for the actors and your fellow audience members?
Please take time to review Mirvish Guide To Attending The Theatre with your student group prior to your theatre visit. It includes some helpful tips and basic “Dos & Don’ts” to assist you in preparing everyone for what to expect, and what is expected of them.
Additional resources are available to help you build a bridge between your experience of the show and your own classroom. Visit the Resources page to explore what is available for Moulin Rouge! The Musical.
Looking to build more into your field trip? A variety of enrichment experiences are available to choose from, including Q&As, guided historic theatre tours, workshops and performance group opportunities. Contact our Education Manager at educationandengagement@mirvish.com to learn more. Subject to availability; additional costs and restrictions apply.
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